Sterling Brown , uniformity of the participants in the Renaissance , denied that Harlem was ever the center of the New lightlessness literary featThe Harlem Renaissance was basically a psychology - a state of mind or an attitude - shared by a number of black and intellectuals who centered their writing virtually Harlem in the late 1920s and early 1930s These men and women were participants in a advanced awakening of black culture in the United States . Those directly involved in the endeavor were all black , although Carl Van Vechten to a major twelvemonth and other white , patrons , and publishers to a lesser degree participated in and influenced the movement . There was no common thread of governmental or ethnic ideology , personal experience , history , or writing that united the various elements in the Renaissance . What they held in common was a sense of community and a feeling that they were all part of similar goalsBefore the early mid-twenties , Jean Toomer published Cane : and black and scholars began to understand that something bran-new was taking place with black literature . The movement moved into the 1930s and included the later writing from Zora Neale Hurston , Claude McKay , and Langston HughesAs long as they and other consciously identified with the Renaissance , the movement act . It did not , however , encompass the younger like compact Baldwin and Richard Wright who were popular in the late thirties and the forties . This nimbus of never connected...If you want to get a full essay, nightspot it on our website: OrderCustomPaper.com
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